As years passed, he decided to take the learning further, outside books and scriptures, and went out to get first-hand experience from temple art works. Sporting a long silver beard, a spotless white kurta and saffron mundu, one would easily mistake him for a yogi. Does anyone know what they have researched and found out?”In Kochi, where Guru Manu is on a halt between travels, he is training a small group of women — homemakers and artistes who are passionate about the danceform Bharatanatyam.
“I do not train anyone who eyes competitions.His fort, back then, was Irinjalakuda in Kerela, where he attended concerts and recitals, rubbed shoulders with maestros and got trained under masters like Kalamandalam Raghavan asan. His references were the temple sculptures in Tamil Nadu and south Karnataka, which immortalised dance moves on it https://www.mould-parts.net/ A lone warrior who defies gender, racial and hegemonic stereotypes of classical dance, Guru Manu’s life is a textbook.
A lot of dancers are doing research and coming out with doctorates. At Madhya Pradesh, where he spent many years, he trained children in Bharatanatyam.“My training technique involves developing inquisitiveness in my students so that they too get out of the fixed structures to explore more and experience the real sadir,” he concludes.“What I have learned is that sadir has no original form.

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